Archive for the ‘Publishing’ Category
10 More Common New Writer Mistakes to Avoid
February 12th, 2010 by Mary DeMuthFor those of you who love lists, here’s another list of ten common mistakes I see writers make when they come through The Writing Spa. Check and see if you make these mistakes too. And if you do, choose to make 2010 the year you change the way you write.
1 Starting the story too late. When I wrote my first novel, it took me 90 pages to get to the inciting moment. I believed I needed to tell all the backstory first. Not true. When I rewrote the beginning, I cut the first 90 pages, rewrote the beginning to have the inciting moment first. Then, I shared both beginnings with a critique group and asked which one had more emotional impact. Everyone said the second one. Start your story when it starts.
2 Lack of passion. If you’re not wild about your subject, it shows. Write from your passion and your words will have punch.
3 Overuse of had. When recounting something in the past, use “had” once, then keep the rest in straight past tense. Otherwise, you’ll clutter up your prose, make it gunky.
4 Too many modifiers. Use a better noun instead of a weak one that needs an adjective. Use a stronger verb instead of one that leans on an adverb for help.
5 Misplaced modifier: An adjectival (modifies a noun) or adverbial (modifies a verb) placed in an awkward spot—usually far from the word or phrase it modifies.
Misplaced: I learned how to tie-dye t-shirts on the radio.
Correct: I heard on the radio how to tie-dye t-shirts.
6 Punctuation and Formatting Errors:
- Punctuation within quotes. This is a proper ellipses: . . . (dot space, dot space, dot space)
- Use an em dash in a sentence: Bob ran his business to the ground—right after he alienated his wife and children.
To create the elusive, continuous-line, em dash: Type as usual, but when you want to make the em dash, type two hyphens in a row and simply continue typing the next word. As soon as you hit the “space” key after you complete that next word, the computer automatically turns the two hyphens into the correctly formatted “em dash.” (The funny thing is, the computer can’t NOT do this action automatically.)
Incorrect (but the “old” method on a manual typewriter): I left my favorite baking dish–a wedding present from Aunt Jackie–at the church potluck dinner yesterday evening.
Incorrect (a symbol, actually an “en” dash): I left my favorite baking dish – a wedding present from Aunt Jackie – at the church potluck dinner yesterday evening.
Correct: I left my favorite baking dish—a wedding present from Aunt Jackie—at the church potluck dinner yesterday evening.
- Don’t use ALL CAPS.
- When writing a title, italicize it, don’t underline.
- Don’t hit enter twice when you start a new paragraph.
- It’s no longer five spaces when you indent; use the Tab key instead.
- 11 or 12 point font, preferably Times New Roman.
- One inch margins all around.
- Use exclamation points sparingly. You don’t want to be the writer who cried Wolf!
7 Pronoun/Antecedent Problems. Be sure your pronouns agree with the words they’re replacing. A writer makes a mistake when her pronouns don’t match.
8 No Parallel Structure. When listing things in a series, be sure the structure of the first words in each series are parallel.
Example: The cat dodged the ball, ate a mouse, and is sleeping now.
Correct: The cat dodged the ball, ate a mouse, then fell asleep.
9 Dangling Participles. When you have a participle (-ing word) followed by a comma as a phrase (dependent clause), the word following the comma should be the one the phrase modifies. Example: Crashing outside, I jumped when I heard the thunder. Crashing outside, the thunder made me jump.
10 Purple Speaker Tags. When you attribute dialog to someone, refrain from using purple speaker tags. Said works best most of the time. Or creating the dialog with beats (sentences of action) works better, too.
Example: “Herb, you irritate me!” she exclaimed vehemently.
Solved: She stomped her tiny feet. “Herb, you irritate me!”
People who looked at this item also looked at...
Related items
Janet Reid offers some rejection statistics
January 5th, 2010 by Nick CiskeJanet Reid, literary agent at FinePrint Literary Management recently kept track of how she responded to 124 novels. It’s a fascinating look at the current market for novels:
Periodically I’ve posted tallies of my replies to incoming query letters. After one of those posts I realized that it might be interesting to keep tabs on what happens when I request a full. I started keeping notes sometime this summer. Between that date and today, I requested 124 full novels.
Here’s what happened:
Just plain not good enough: 21 (a novel needs to be in the 99th percentile-these were closer to 90%–not bad, but not good enough)
Good premise, but the rest of the novel didn’t hold up: 11
Not compelling or vivid, or focused; no plot/tension: 10
…
Read the rest at her blog.
Bonus:
She also has a list of items that will get you an instant rejection from her (and likely other agents): How to Make Sure Your Query Is Instantly Rejected
People who looked at this item also looked at...
Related items
10 Common Writing Mistakes: Do you pass the test?
December 21st, 2009 by Mary DeMuthIn my adventures in publishing and helping new authors get published, I’ve found ten common mistakes authors should avoid. Look through this list. How many do you do? How many have you nixed? Keep this by your manuscript (fiction or nonfiction) as a handy way to self-edit your work.
1. Negatives: The mind takes 48% longer to process a negation. Eliminating no, not, don’t, and can’t will clean up your writing.
Example: He didn’t know.
He was clueless.
Example: The sun didn’t shine.
The clouds covered the sun.
2. Repeated words: Often new writers will repeat words within paragraphs or subsequent pages. Be particularly aware of pet words (your own personal overused words). Every author will have different words, but a careful reading of your draft will turn them up. Some oft-overused words include: since, just, still, might, manage, began, started, really.
3. Adverb Adoration: Adverbs strengthen weak verbs. Why not write with strong verbs instead?
Example: She walked lazily down the path.
She ambled down the path.
Heidi wrote her sentences quickly. (Wrote is not a weak verb, but now that it’s modified, quickly weakens it.) Instead: When her hand touched the pen, it sped ink across the page in a blur. (See how you can transform a sentence from something mundane to something visual? How tweaking your verbs, making them stronger, helps you to show instead of tell?)
The dog gnawed the bone maliciously. (This sentence would be better off without the adverb.) Or instead: The dog attacked the bone like prey.
He hardly noticed the scar criss-crossing her cheek. (This isn’t too bad, but by eliminating the “hardly noticed,” you can make a more visual sentence.) Instead: He held her eyes, never once glancing at the scar criss-crossing her face. In that moment, she fell in love with him.
You will find a revolution in your writing when you kill your adverbs, I promise.
And yet, when you use adverbs, keep them near the verb: Instead of Take the garbage out. Take out the garbage.
4. Split Infinitives: No more “to boldly go where no man has gone before.” To go boldly is the correct usage.
5. Wimpy Voice: Be assertive when you write. Instead of “I’d like to thank you,” just thank the reader.
6. Misused Colons: Use after an independent clause to introduce a list.
Example: He toted several items to the curb: a rug, four kittens, his spouse, and an old racecar track.
7. Voicing Problems: Each character must have his/her own distinctive voice. They must not sound alike.
8. Lack of Details: Your writing will be richer if you stick to details rather than vagaries. Instead of: He ate lunch. He ate Copper River salmon with a dill reduction sauce.
9. Flabby Prose. We writers are in love with words, so much so that we tend to flaunt our use of them early in our careers. (I was guilty of this.) Strong nouns and strong verbs make a great impact. Adding extraneous adverbs and adjectives willy-nilly weakens the structure. Don’t try to fluff up your writing to impress people. Tell it like it is. Don’t believe me? Read The Kite Runner. Hosseini’s sentences are stark, full of detail, and have amazing emotive impact.
10. Same sentence structure over and over again. He had. He did. He saw. N-V. N-V. N-V. Spice it up a bit. Add a gerund or two. Start with a prepositional phrase. And vary sentence length. You don’t want staccato prose, nor do you want insanely long sentences that lose the reader.
People who looked at this item also looked at...
Related items
“Marketing” Basics & Fundamentals for Christian Authors & Publishers
December 21st, 2009 by J A Heinlein
With all of the changes, emerging technologies, and new things to learn in our publishing world and in communications media as a whole, it is important to always have the “basics” in mind.
Vince Lombardi – Basics of Football
There is a legendary “fundamentals” story that is often retold about Coach Lombardi’s approach to football and leading his players.
Vince Lombardi, one of the most successful coaches in the history of football, started every new season with a standard speech to veterans and the rookies alike. He would hold up a football and say, “This is a football!” He would roll it around in his hands and talk about the size and shape of the football, and the many ways that it could be handled on the football field including carrying, passing, kicking. He would then take the team out onto the football field and say, “This is a football field!” He would describe the measurements of the field, and the rules of the game. He did it every year – even after the Green Bay Packers a previously losing team became the NFL Champions and Super Bowl Winners. He is said to have even repeated the speech at half-time during a particularly tough game…
The “secret” to Vince Lombardi’s success was clearly that he always helped his players to focus on what was fundamental and basic to the game of football -and, to do those elementary things very, very well.
Marketing Basics
Most everyone has heard of the “Basics P’s- Practices of Marketing” – usually summarized by 3-5 “P’s” including:
Product, Price, Place(ment), Promotion, People
I encourage you to make these “P’s” a part of your regular “fundamentals of marketing” study and as part of every strategic plan.
Outlined below are what I believe to be the “4 Foundational P’s”- Practices for Christian Authors & Publishers.
As Coach Lombardi did with his players, these practices should be continually revisited and reviewed throughout the publishing process and for each new project.
Prayer
We need to start every project with a commitment of that project into God’s hands. And, then we must spend time in prayer thoughtfully pondering the “why’s and how’s” and asking for God’s direction.
“I have so much to do that I spend several hours in prayer before I am able to do it.” —John Wesley
Purpose
Prayer and thoughtful pondering also helps us to focus our objectives and goals. What are our own intentions. Are those intentions aligned with God’s purposes and His particular purposes for us personally? A clearly defined purpose creates great courage and resolve.
“What’s in your heart? … What disturbs you?” -Rick Warren, author Purpose Driven Life
“Success demands singleness of purpose.” –Vince Lombardi
Plan
A book project must always be approached as a business enterprise. A well developed strategic plan is critical to success. The plan is the purposed “vision” of the project.
“Good plans shape good decision. That’s why good planning helps to make elusive dreams come true.” -unknown
“Our goals can be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There is no other route to success.” -Stephen A. Brennan
Perform
Performance is where all the work gets done. It is about Implementation – Execution – Accomplishing intended objectives.
This part is where many unfortunately fall short. To take the words of James a bit out of context (Jas 2:20), “Faith without works is dead.” The author will always be the best “marketer” for their book, just as parents are the greatest champions for their children. The author must likewise be the champion for their work and a tireless marketer working in partnership with associates and in vigorously developing and expanding their author platform.
John Wesley famously said, “Pray like it depends on God, work like it depends on you.” It certainly applies to our work and callings in practical application.
“I firmly believe that any man’s finest hour, the greatest fulfillment of all that he holds dear, is the moment when he has worked his heart out in a good cause and lies exhausted on the field of battle-victorious.” – Vince Lombardi
People who looked at this item also looked at...
Related items
Where Do I Sell My Books? How do I tell the world my message?
December 8th, 2009 by J A Heinlein
Is your Marketing Strategy: New & Improved…Tried & True… or Old & Tired…?
Recently, Christian Retailing featured an article on “Self-publishing”. It outlined new developments and statistics and included highlighting some “big brand name” publishers who have become involved in self-publishing. And, predictably, it quoted some quite overused and outdated arguments against. But, one quote that stood out to me was a quote from a respected industry agent (and friend) regarding sales and distribution,
“I think the chances of those books actually having a very effective distribution channel [into retail bookstores] are very slim.”– RG, Christian Retailing Dec 7, ‘09
First of all, I have to respond by saying, that I highly respect the very essential role of agents in the publishing process. But, that said, it must also be understood that good agents are good at selling books to publishers. But, even good agents don’t generally participate in the actual selling process into the “real marketplace”.
And, that statement also caused to me to reflect on an industry “trend shift” that is not readily perceived and often overlooked.
Books are sold in bookstores right? Well, about half of them are…
“52% of books are not sold in bookstores. They are merchandised [directly] via mail order, online, in discount or warehouse stores, through book clubs, in nontraditional retail outlets, etc.” “The worldwide book market is almost $90 billion, and every year [more than] half of those sales are made in non-bookstore markets such as museums, schools, libraries, warehouse clubs, catalogs, book clubs, book fairs, and to corporations, among many other markets.” – http://BookStatistics.com, Para Publishing – http://bit.ly/14nOAF
Bookstores are now “a sales channel” and, are now not “the only channel” for book sales. And, selling books to the “traditional retail channels” is likely not the most profitable way to sell books – especially for a smaller publisher or new authors. For most, the required “sales hoops” that must be jumped through are simply insurmountable. This includes high discounts, expensive marketing and merchandising programs, and a high percentage of returns. And, all of that is done for a very short “selling window” – usually 3-6 months.
Another whole discussion involves the very definition of “what is a published book?”–it’s many forms and formats that are now available–and the related new emerging sales channels.
So where/how do I sell my books?
The most basic and fundamental objective of marketing is connecting with the right audience–that is introducing a product, solution, or service to those that are most likely to benefit.
Developing a productive author platform that engages and develops relationship with the intended audience is essential.
The good news is that there are now many ways to connect to your best audience – that is to directly access your intended niche market - and common interest affinity groups.
The Online Trend: Building an “Author Brand” with Social Media Marketing
Develop a Social Media/ “Web 2.0″ strategy for building & expanding author platform on established associations, identity, and audience.
- Develop integration process for EVERYTHING – create a sales “funnel”
- Drive target audience to a specific direction/destination – author website and ecommerce page(s).
- Use all web 2.0/social media priority “standards”: Facebook, Twitter, Blogging, Youtube, LinkedIn, and bookmarking sites such as Digg.
Purpose Objective: build a following – a “Tribe”
“A tribe is any group of people, large or small, who are connected to one another, a leader, and an idea. For millions of years, humans have been seeking out tribes, be they religious, ethnic, economic, political, or even musical (think of the Deadheads). It’s our nature.” “Now the Internet has eliminated the barriers of geography, cost, and time. – Seth Godin, Tribes
“If you are an author, your tribe members are your readers—or, at least, that’s potentially true. The only question is whether or not you will become the tribe’s leader and equip them to communicate with you and with one another.” – Michael Hyatt, CEO-Thomas Nelson
Recommended reading:
Beyond the Bookstore: How to Sell More Books Profitably to Non-Bookstore Markets (9781594290022): Brian Jud
Tribes: We Need You to Lead Us (9781591842330): Seth Godin
Trust Agents: Using the Web to Build Influence, Improve Reputation, and Earn Trust (9780470743089): Chris Brogan, Julien Smith
Related Links
- Are you a trust agent? Do you need to be? (myventurepad.com)
- The Power of Tribes on Blog Talk Radio (theimuniversity.com)
- Julien Smith – Social Capital and the New Tribe (andreavascellari.com)
- Reach Matters – Even In Social Media (socialmediatoday.com)
People who looked at this item also looked at...
Related items
Innovate with Integrity
November 24th, 2009 by Jenni BurkeThe internet is abuzz with chatter from publishers, writers, agents, and other self-professed “word nerds” like myself… tweeting, blogging, and commenting on the rapidly expanding role of self-publishing.
Many industry insiders say that the traditional publishing model is broken. The speed of change taking place in recent years proves that even if it’s not broken, it is definitely evolving. And while those waves of change have and will continue to upset the status quo, the companies and individuals who recognize the inevitability (and potential benefits) of change will find creative ways to adapt and stay ahead of the curve. Those who do this well will keep the needs of their customers in mind and always partner innovation with integrity.
I love the concept of innovation: to create or introduce a new idea or method. Of course, those who lead in innovation will inevitably attract criticism and resistance from those who fear change or like things “the way they are”. Thomas Nelson’s CEO Michael Hyatt is highly respected in the industry for his innovative leadership style combined with integrity; that combination has led Thomas Nelson on as one of the most successful Christian publishers in the world. Hyatt has also attracted criticism from some lately for his company’s recent bold move into self-publishing.
He posted a thoughtful yet animated response to this criticism on his blog on Friday: Why Agents May Be Opposed to Self Publishing. In the post he examines the three most common arguments leveled against self-publishing by “the guild”, or those within the industry. He also points out that over half the books published in the United States are self-published and that the reason people (especially agents) lash out against the approach may be because they feel threatened by a disruption of the status quo. Interesting, no?
Hyatt concluded his post with this reality-check on the inevitability of change, challenging everyone in publishing to examine how they might be dragging their feet instead of taking steps forward:
“As a form of user-generated content, self-publishing is a disruptive force that isn’t going away. It is arguably the fastest growing segment of publishing. It will ultimately impact everyone in traditional publishing. As a result, publishers are having to change and so are authors. Maybe it’s time agents took a hard look at their own business model and asked how they can add value in the new publishing economy.”
We at D.C. Jacobson & Associates agree with Mike that the “traditional” business models need to be re-examined. Our company was, after all, founded on principles of innovation and integrity. When Don Jacobson sold his successful Multnomah Publishers to Random House in 2006 and asked himself how he could continue adding value to the industry he loved, he saw the need for a new kind of literary agency.
While our primary focus is placing excellent books with royalty publishers, our growing team of specialists is passionate about contributing to the production and promotion of life-changing messages on multiple levels. Together we offer our clients the highest quality of service in three distinct but complementary branches: Author Representation, market-informed Literary Consultation , and Publicity Campaigns & Consulting. The community at BelieversPress is a great example of vision and values, which is why we love working with them.
Some who prefer things “the way they were” have taken shots at us; maybe they’re the ones Mike Hyatt’s blog post is speaking about. We don’t listen to them; we listen to the success stories of our authors and publishers. We will continue to look ahead and innovate with integrity. As the saying goes, “keep your heart pure and drive on.”
QUESTION: What do you think about the changes you see taking place across the publishing industry?
People who looked at this item also looked at...
Related items
Elements of a Successful Publishing Project
November 4th, 2009 by J A Heinlein1. You need to know Why You Want to be Published
You must ask yourself and answer the question, “…why do you want to be published?”
Some feel called to educate and inspire, while some want to “entertain” and tell a story, either fiction or non-fiction. And, the different callings and writer desires can combine to accomplish both.
What is the objective of your writing? Who will benefit?
I work with a lot of very successful professional speakers/authors, and over the years, the most common mistake has been for them to want to “rush too quickly to write and get published”… and, without having asked and answered those most fundamental of questions:
What is the reason and purpose for me to be a published author?
- it is my ministry and calling?
- to help expand my brand?
- to provide lasting value and impression?
- to create an additional income?
- to increase my speaker’s fee value?
What will the reader take away as the value from my book?
How will that help my ministry and/or business? How does this book reflect my personal mission and objectives?
And, once answered, how do I get this done?
See Also: How do you write a book or novel
2. You need to be informed
- Do your homework – “flatten” the learning curve as quickly as possible.
- Do the advance work to understand the “basics”– outline your plan for writing, marketing
Basic publishing elements
- Editing/Formatting
- Packaging: Creative Design: Cover, Layout, Illustration
- Production: print options – POD/Digital, offset, ebooks, ebook platforms
- Registrations
- Considerations of Setting-up Small Business
- Pricing, Distribution, Fulfillment
- Promotion, Sales, Market Placement
- Social Media Marketing – Online Network Management
- Online Presence, Search Engine Visibility Development
- Experience: Do’s & Don’ts
Related Links:
- Sell- Marketing yourself and your work, promotion and contests
- Writer’s Digest – 101 Best Websites for Writers
- 100 Free Tools to Write, Publish and Promote Your Own Book
- 5 Advanced Social Media Marketing Strategies for Small Businesses
3. You need a platform
“Platform is a big word in publishing. Seriously, it’s a critical component of getting a book sold. It’s so important, in fact, that many experts recommend that you start to build your platform long before you’re ready to submit your book for publication. What is an author’s platform? It’s what helps sell your book. An author’s platform is the way you reach readers. It’s a network, and it’s notoriety. It’s exposure.”
- Lolaness, Build an Author’s Platform: It’s How to Sell Your Book“10 simple steps that will take your visibility from zero to standout in a short time, while also giving you ample opportunities to flex your expertise, carve out your niche topic and connect with your audience.”
Christina Katz, Writer’s Digest – How to Build a Marketing Platform
4. You need a plan
The strategic plan is tailored and built upon the idea of developing a niche strategy focus, from the author’s identified platform and intended audience. Its goal is to direct focused efforts toward the right audience for initial sales and ongoing sell-through.
“…the publishing business is all about marketing, and it’s certainly true that books don’t sell themselves. However, there’s a caveat to the idea that anybody who can market books can start their own publishing house, and it’s that you need a business plan in place that will allow you to make a profit on the books you sell.”
-Morris Rosenthal, Self Publishing: Starting Your Own Publishing House
5. You need help
Fortunately, there is now a “one-stop resource” that you can enlist help from! – The BelieversPress Community.
“BelieversPress is a gathering of Christian authors and an elite team of Christian publishing professionals collaborating to bring the message God has placed in authors’ hearts to touch the lives of millions.”
- If you’re serious about your book, hire a book mentor to coach you and to help in coordination of the publishing process.
- Educate yourself, by engaging and asking a lot of questions, and sharing your own experiences with the group.
- Engage with and enlist help by hiring from the variety of related services of the community.
6. You need to execute your plan
The plan should identify:
- industry professionals and interest “affinity” groups
- spheres of influence, building “word of mouth” viral campaigns
- special sales markets – beyond traditional bookselling/bookseller strategies
- emerging markets to develop new market channel opportunities
- select bookstore markets and current bookseller relationships
The developed plan will detail:
- Focused Research of Audience Demographics & Psychographics,
- Indentified Branding Objectives,
- Writing Schedule,
- Production Deadlines
- Package Planning ,
- Tactics for Promotion & Marketing,
- Sales, Market Placement, and Distribution.
Summary
For independently published authors, there is a lot of advance work that must be done by the author and, their “team” can be of immeasurable value, if they are fortunate to have one as in “the BelieversPress Community.
It is the “same” work and objectives that both traditionally published authors or independently published authors must accomplish.
The traditionally published authors would seem to have an edge as a result of having a “bigger machine” backing them.
-but, based on current sales results, the real effort and scaled back resources of brand name companies are being used to mainly push the “A list” level authors.
Bottom line, whether traditionally published or independently published, authors must take a very active role in promotions of themselves and their work. Those who expect to “just write” and let others “carry the load” will likely not be successful going forward.
Yes, advance planning, and taking part in marketing and promotions can be quite an investment of personal resources…difficult, time consuming… exhausting even… but, the rewards are being able to share your unique message with others, building and enjoying enduring reader relationships, seeing your dreams and passionate objectives become a reality…
…and of course, it is nice to be able to buy groceries…
“… authors who survive will be the ones who find ways to authentically grow their platform and meaningfully reach their readership.” “Communities will decide what books are worthwhile, and communities won’t have ego-filled judgments. Publishers will always be giving their authors one thing that is hard to come by: a measure of instant credibility. (That is: Someone thought this was good enough to take a financial risk on.) In good scenarios, there is also collaboration: to make a good book a great book. But soon, communities will have as much power as publishers to decide what books deserve attention.“
- Jane Freidman, My Big Rant on Self-Publishing, Writer’s Digest
People who looked at this item also looked at...
Related items
Bethany Press Launches BelieversPress to Give Author’s Faith a Voice
November 2nd, 2009 by Nick CiskeFOR IMMEDIATE RELEASE
New Publishing Model for Authors:
Bethany Press Launches BelieversPress to Give Author’s Faith a Voice
Bloomington, MN – Authors face an enormous challenge; a one in thousands chance of getting their manuscript published by major Christian publishers. Until now, the industry has only offered authors royalty and self-publishing models. Rejected authors are often left to fend for themselves. Some talented authors will give up. Others will try to solo-navigate the shifting currents of self/subsidy publishing and find themselves limited by the one-size-fits-all approach of these services.
BelieversPress, a new venture just launched by Bethany Press, offers multiple publishing tracks for authors where they control the process.
1. Royalty Publishing
In collaboration with ECPA, BelieversPress critiques and edits author proposals prior to posting on the ChristianManuscriptSubmissions.com website enabling agents and publishers to sort and filter for high quality submissions. Each of these proposals features a BelieversPress badge.
2. Independent Publishing
At BelieversPress, professional authors who pursue independent publishing can now access
- Coaching and editorial services from Jeff Gerke, (longtime editor for the CBA industry, former editor at NavPress) and Barb Lilland Editorial Services (former senior editor, Bethany House Publishing)
- Cover design from The DesignWorks Group and Dugan Design Group
- Publicity services from B&B Media (clients include Charles Stanley, John C. Maxwell, Chuck Swindoll, Tim LaHaye, Melody Carlson, Bruce Wilkinson)
- Marketing tools from Heinlein Publishing Services (Publishing Professional, 20+ Years: including executive positions with United Methodist Publishing House, Thomas Nelson, and Word Publishing)
- Printing from Bethany Press (producer of almost 30% of the best-selling Christian paperbacks)
- Sales and distribution through STL Distribution (the largest exclusively Christian distributor in North America).
Authors interested in submitting to agents and small publishers can receive mentoring, editorial, and proposal evaluation from D.C. Jacobson (Don Jacobson’s group, former President of Multnomah Publishers) and The Writing Spa (Mary DeMuth) at BelieversPress.
BelieversPress counsels authors that if they cannot sell their books via platforms such as speaking, established ministries, or direct to readers through venues such as blogging, the internet, articles, etc. then they should not self-publish.
Agents and publishers can offer their authors a trustworthy team to help them to publish both their out-of-print books and unpublished manuscripts, further building their readership with the ability to sell directly through the author’s website, the BelieversPress E-store, and to the trade through STL Distribution. Or, they can refer authors needing mentoring and further development to trusted professionals who can help them hone their skill and platform before re-submitting.
BelieversPress authors can:
- Engage an elite team of the best talent in Christian publishing to take their manuscript from good to great!
- Benefit from experienced professionals in marketing, publicity, and sales who help them get their message heard
- Connect with authors who have traveled the path before them
- Take control of your publishing future – there are no packages and no royalty schemes
- Bring unpublished titles and out-of-print books to their readers
- Print with the company that produces 30% of Christian best-sellers
- Make a difference – a portion of their dollars are used to fund ministry
Contact BelieversPress:
6820 West 115th Street • Bloomington, MN 55438
(800) 341-4192 • www.believerspress.com • info@believerspress.com
People who looked at this item also looked at...
Related items
Common Mistakes to Avoid
November 2nd, 2009 by Mary DeMuthIn my role at The Writing Spa, I read a lot of manuscripts, helping writers take their writing to the next level. Invariably, I see common mistakes new writers make. So for my next several posts, I’ll be highlighting these mistakes. Fix these issues in your writing and you’ll start to impress editors. Fail to do so and you’ll languish in the mediocre. I know if you’re reading this, you don’t want to be mediocre. So dare to be teachable!
Period spacing: Only one space after a period. To fix, go to Edit, then Find and Replace. In the Find box, hit the space bar twice. In the Replace box, hit the space bar once. Then click Replace All. Voila! Your whole document is correctly formatted. Curious why this is? I posted about the whole exciting story here.
Joining two independent clauses: When you have two independent clauses (two clauses that can stand on their own), there are several ways to join them. Many authors struggle to do this correctly.
Here are the ways:
John ate the hamburger. He wiped his mouth. (You can join by not joining—simply putting a period between the two clauses.)
John ate the hamburger, and he wiped his mouth. (comma plus conjunction)
John ate the hamburger; he wiped his mouth. (The correct use for a semicolon).
Head Hopping: When you’re writing a fiction scene, it should be solidly in one person’s point of view. If you shift into someone else’s head in the midst of a scene (without a scene break), you are head hopping. Solutions: Make a scene break where you shifted. Or delete the passage from the other person’s POV (point of view), or rewrite it so it’s in the scene-character’s point of view.
Example: Heloise knew Jake didn’t like her. She could see his sneer from across the room.
Jake took a long drink of Coke, then spit it back into his cup. He thought of giving it to Heloise just so she’d know how much he hated the sight of her.
We are in both heads in this scene. Here’s a rewrite in one POV:
Heloise could see Jake didn’t like her. His sneer said it all. She watched him gulp down his Coke, spit it back in, then raise his eyebrows in that maddening way. He pointed to her, then the cup. As if she’d ever drink his dregs.
Telling. The old adage, “Show, don’t tell” applies here. It’s insulting to the reader when you explain everything to him/her. Instead of telling us someone’s anger, show us.
Telling: Bob was angry.
Showing: Bob threw the cat across the room, hitting Hilda in the face with the poor animal.
Clichés. A cliché is a word or phrase you commonly hear in everyday speech, or read often. Here is a listing: http://clichesite.com/alpha_list.asp?which=lett+1
Example: Barnabus Brickby paraded around town, high and mighty as all get out, eating fried pies like a horse.
Solved: Barnabus Brickby flaunted his new suit on the town’s streets, gorging himself on fried pies while his nose pointed heavenward.
Passive voice: In passive voice, the subject receives the action rather than performing the action. Passive usually carries this form: “to be” + “verb-ed.” Microsoft Word usually catches passive constructions by underlining them in squiggly green.
Example: Passive: The spider was bludgeoned by Martha.
Active: Martha bludgeoned the spider.
Weak verbs: Verbs should make up 10% of your writing. Nix forms of “to be.” Run a “search” on be, is, are, am, was, were, being. Eliminate was+participle (ing word). I was running to school. I ran to school. Even better: I sprinted to school.
There are many more issues, but we’ll save those for a later post. The single biggest mistake I see is weak, wimpy verbs. Was. Is. Were. Seem. When you’re trying to break the habit, strive for 1 or 2 per page. They’re not evil verbs, but they weaken your writing. Learning to replace them with beefy verbs will revolutionize your prose.
People who looked at this item also looked at...
Related items
How to Get The Best (and Your Money’s Worth) Out of Your Cover Designer- Part II
October 14th, 2009 by Terry DuganI’m offering tips from time to time, from a book designer’s perspective, on how to get the creative best out of creatives.
Again a disclaimer: None of this is meant to suggest that you have to be extra careful around artist-types and only approach them in certain ways. If you run into a prima donna book designer who seems to be there to serve himself and not you, find a new one. Most of us have learned to be flexible and accommodating to a wide variety of art directors and clients. If you’re new at this, not to worry. You’re absolutely welcomed here on BelieversPress… don’t feel intimidated.
There are some keys to your designer’s psyche and working style, however, that will keep him designing more efficiently and giving you his absolute best. Here are a couple more…
1. Establish clear deadlines for each phase of the cover design project.
Whatever level of design service you choose on Believer’s Press, spelled out there is a list of project stages: Concepts, Revisions, Final Design, Files delivered to printer. It’s a good idea to work backward from that final printer deadline and pin your designer down to a date for each stage. Creatives have sort of a love/hate relationship with deadlines. We hate the pressure and yet thrive on it somehow, and you certainly need to be confident that your project is moving along as it should. Your designer will probably initiate the calendar discussion, but be sure you’re both on the same page.
2. Get objective feedback at the concept stage.
Particularly if your design package provides you with multiple concepts, show them to family and friends but also to people who know nothing about the book project. Some good questions to start with:
- First impression—which one appeals to you more than the others?
- What do you think this book is about?
- Do any of these remind you of anything—good, bad or indifferent?
- Who do you think this book is for—men, women, children, etc.?
From a broad enough objective sampling you will gain invaluable insight that can be passed along to your designer. You know which option you like best, but responses from others just might surprise you! A good designer needs and welcomes this sort of feedback and is eager to respond.
3. Get some “feedback” from your designer.
You might ask him which of the concepts he likes best and what his reasons were for each approach. Let him “sell” his ideas a bit, incorporate the other feedback you’re getting, then make your choice.
Happy publishing!
Previously: How to Get The Best (and Your Money’s Worth) Out of Your Cover Designer- Part I
People who looked at this item also looked at...
Related items
When a book leaves your hands, it belongs to God. He may use it to save a few souls or to try a few others, but I think that for the writer to worry is to take over God’s business.
—
Recently Commented